XY - A workshop with Ted Davis from ECAL on Vimeo.
Projects by ECAL Media & Interaction Design
One week workshop led by Ted Davis
Projects made by first year students
Bachelor Media & Interaction Design
Assistant: Sébastien Matos
ecal.ch + ECAL — Bachelor Media & Interaction DesignXY - Experiments around the graphical and interactive potential of oscilloscopes. One week workshop given by Ted Davis to the 1st year Bachelor in Media & Interaction Design.
Projects by: Elodie Anglade, Loris Briguet, Soraya Camina, Julien Caulet, Antoine Contreras Salazar, Salomé Dotter, Samuel Dumez, Mélanie Fontaine, Martial Grin, Jamy Herrmann, Lily Rose Hold, Achille Masson, Iris Moine, Bogdan Nastase, Nathanaël Vianin.
Images: Gianni Camporota
Video: Pietro Alberti
Sound : Callum Ross
The making of a Light Session- Tron Premiere- ENESSvhcvvv from ENESS on Vimeo.
The making of a ground breaking new skateboard ramp installation by ENESS. Created for the Premiere of Tron Legacy in Melbourne, Australia.
Our custom built software allows us to 3d map the
ramp and track the skateboards in real-time. Each rider is equipped with an iPod Touch to measure air time and trigger effects, IR Lights and camera is used to track the skater’s position.Enjoy the making.
ROW
holographic audiovisual installation▸ Behance ▸ smarturl.it/row_installation
▸ YouTube ▸ smarturl.it/ROW_YouTubeA row is a basic way to structure data, from mathematics to twelve notes of the chromatic scale in music. The rows of data floating in the air every second being converted into messages and voices. Bits of information become symbols that can be combined in words, words add up to sentences and sentences translate our ideas and thoughts. It’s about the perception of information, language, and dialogue.
We’ve been challenged to experiment with this technology and see if it can somehow be used in an interesting way to create an audiovisual experience. The result is a raw concept of a scalable data-driven installation.
Row is a modular and scalable array of screens that can form various length line of any desired shape. Translating raw visuals driven by generative sound, the content itself is being echoed with a slight delay which creates various moving patterns that highlight and reflect the spatial characteristics of space where it is installed.
For this project, we’ve teamed up with technical partner HOLO ONE who kindly provided holographic led displays.
Special thanks to Andrey Prokudin, Ivan Shapen, and Alexandr Podalko.
For additional information and booking please contact us at hello@wearetundra.orgholoone.ru
instagram.com/wearetundra
youtube.com/c/wearetundra
fb.com/wearetundra
Outdo you with Nike from laurent clermont on Vimeo.
Client: Nike
Directed by Laurent Clermont
Agency: AKQA portland
Agency producer: Katie Reardon
Illustration by McBess
Production: Bläck studiosAGENCY: AKQA, PORTLAND
Creative Director - Whitney Jenkins
Senior Creative - Aaron Seymour-Anderson
Associate Creative Director - Brett Reese
Producer - Katie Reardon
Senior Creative - Thom Lovegrove
General Manager - Jonathan Hum
Copywriter - Tahirah Byfield
Managing Director - Brian Skahan
Senior Account Director - Justin Micklish
Senior Strategist - Ben Taylor
Senior Project Manager - Lora Guillotte
Technical Delivery Manager - Edd BignellPRODUCTION COMPANY: Bläck Studios - Stockholm, Sweden
blackstudios.se/
Director - Laurent Clermont
Illustrator - Matthieu “Mcbess" Bessudo
Executive Producer - Jörgen Lilja
Line Producer - Teza Holmberg
Production Coordinator - Fredrik Jureen
VFX Supervisor - Calle Granström
Lead Animator - Jonas Ekstrand
3D Lead - Simon Rainerson
Comp Artist - Håkan Ossian
Comp Artist - Jonas Manell
Comp Artist - Henrik Klein
Comp Artist - Peter Blomstrand
Comp Artist - Viktor Andersson
Illustrator - Love Gunnarsson
Illustrator - Madde Sandell
2D Generalist - Kristian Zarins
2D Animator - Vic Chhun
2D Animator - Marcus Melin
2D Clean Up - Leyla Kayddoura
3D Modeling - Erik Rönnblom
3D Modeling - Jonas Skoog
3D Modeling - Kristian Mårtensson
3D Modeling - Andreas Mielonen
3D Modeling - Laura Andersen
3D Animator - Laura Trespoli
3D Animator - Jonas Schild
3D Animator - Andreas Rohde
3D Animator - Ed Sheerwood
3D Animator - Janak Thakker
3D Rigging - Peter Jemstedt
3D Render - Chris Judkins
3D Render- Anders Nystedt
3D Render - Henrik Eklundh
Technical Director - Erik Johansson
IT - Thomas Ericsson
2nd Production Coordinator- Claudia BalboaAnimation Render Backend: Statue.se
Project Lead - Tom Liljeholm
Rendering Lead - Andrei Fokau
Cloud Lead - Daniel Sundström
Systems Lead - Staffan Rosenberg
Research, Q&A - Adam BodérusMusic by: Marmorset - Portland, Oregon
marmosetmusic.com/Sound Design: Red Pipe - Stockholm, Sweden
redpipe.se
Sound Design & Mix: Ulf Blomqvist
Sound Design: Fredrik Lantz
Sound Design: Annika Hedlund
Sound Project Manager: Tobias NormanThe 100,000 most active Nike+ members received a personalized animation for the new year 2015.
Each of the 100.000 films are created using location, weather, activity and individual Nike+ movement data.
Meaning a runner from Toronto would receive a completely different film to an NTC user in New York.In addition to the personalized films for members, we created additional films honoring the achievements of four key cities and North America as a whole.
1,500 hand crafted unique animation clips populated a custom cloud render system, which then rendered over 125,000,000 frames of animation (59 days worth) to construct the final 100,000 animations.
2D to 3D from Daniel Disselkoen on Vimeo.
In the evenings I enjoy to put my hands on something different then my laptop. So recently I put my drill to some good use, and after some cardboard cutting, I turned it in to a magic wand.
Read more at danieldisselkoen.nl/testing-2d-to-3d/
LIGHT KEEPER: Caitlind r.c. Brown, Wayne Garrett, and Studio North from Caitlind r.c. Brown on Vimeo.
LIGHT KEEPER (2019) by Caitlind r.c. Brown, Wayne Garrett, and Studio North
Commissioned by Waterfront Toronto for Aitken Place Park (Toronto, Canada)
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Using light as a sculptural material, LIGHT KEEPER draws from lighthouse lenses and analog projection technology to create waves of rainbow light and a moon clock beamed onto the urban porch of Aitken Place Park. Taking its name from the keepers who maintain lighthouses, the installation speaks to light as a medium for sending messages across vast dark spaces, helping vessels find their way, and signalling danger or change ahead. Designed for a public park on the shore of Lake Ontario, LIGHT KEEPER takes on new meaning against the bright metropolis of Toronto, referencing the disappearance of natural phenomenon from urban spaces. Spectral waves shift speed in accordance with the wind. The moon changes phases with the moon in the night sky, often unseen above the dense skyline and glow of the city. Alluding to interspaces between manmade + natural, placemaking + wayfinding, urban + environmental, LIGHT KEEPER attempts to capture and keep the ephemeral light that cities threaten to overwhelm.- - - - - -
ARTISTS + DESIGNERS: Caitlind r.c. Brown, Wayne Garrett + Studio North
STRUCTURAL FABRICATION: F&D Scene Changes, Reggin Industries
OPTICAL FABRICATION: Caitlind r.c. Brown, Wayne Garrett, and Studio North
ENGINEERING: Entuitive
STRUCTURAL INSTALL: Great Lakes Scenic
COMMISSIONERS: Waterfront Toronto
VIDEO: Caitlind r.c. Brown & Wayne Garrett
MUSIC: “Illuminations” by Kai Engel
CLOUD: An Interactive Sculpture Made from 6,000 Light Bulbs from Caitlind r.c. Brown on Vimeo.
September 15, 2012
You can also find us here facebook.com/incandescentcloud and here incandescentcloud.com
CLOUD is a large-scale interactive sculpture created from 6,000 light bulbs (new and burnt out) by Canadian artists Caitlind r.c. Brown & Wayne Garrett. The piece utilizes everyday domestic light bulbs and pull strings, re-imagining their potential to create wonder and inspire collaboration. As part of the process of creating the sculpture, the artists collected burnt out incandescent light bulbs from the surrounding community, forging an informal relationship with non-artists, reducing costs, and asking audiences to reconsider household items in an alternative context. During exhibition, viewers interact with CLOUD by initiating impromptu collaborations, working as a collective to turn the entire sculpture on and off.
How CLOUD works: The hand-bent steel substructure of the sculpture is covered in a skin of incandescent light bulbs (new and burnt out), and rear-lit from within by 250 compact fluorescent bulbs, pulling a total power of approximately 20 amps (the equivalent of two household outlets). Each of these bulbs is attached to a pull-string, allowing viewers to control the illumination of the structure – like lightning in the CLOUD above them.
Editions of CLOUD have appeared at Nuit Blanche Calgary (Canada) and Garage Center for Contemporary Culture as the centerpiece of Art Experiment 2013 (Moscow, Russia). A third evolution of the sculpture was created in June 2013 in Chicago, USA. Entitled CLOUD CEILING, this rendition is a permanent installation (sans pull-chains) in Progress Bar, utilizing motion sensors and over 15,000 light bulbs.
Sponsors: Alberta College of Art + Design, The Nuit Blanche Foundation, The City of Calgary, Calgary Arts Development Authority, Calgary Public Arts, Calgary 2012, and The Awesome Foundation (Calgary chapter).
Disappearing into The Deep Dark from Caitlind r.c. Brown on Vimeo.
2015
Short video documenting viewers interacting with The Deep Dark, a light + shadow installation by Caitlind r.c. Brown & Wayne Garrett, as exhibited at Nuit Blanche Saskatoon in October 2015.
—–“…all the darkness was suddenly dark in contrast with something else that wasn’t darkness, namely light.”
- Italo Calvino, CosmicomicsThe Deep Dark is a series of light installations intended to illuminate the interspaces between our sacred (and natural) environments and cultural constructs of darkness. Why do we fear the dark? Is darkness a presence or an absence? What separates real fear from imaginary fear?
Meditative, iconic, and evocative, The Deep Dark invites each viewer to participate in a 600 ft solo night hike through Victoria Park, alone in communion with the woods, voices in the foliage, and their own thoughts. Utilizing domestic imagery (doorways) as a literal entry point, the installation imposes artificial light into the natural darkness – light by which the darkness grows darker and disillusions the night.
Many Thanks to all interview participants, The Banff Centre, Nuit Blanche Saskatoon, Heather & Ivan Morison, our peers, and our families. The Deep Dark was initially developed for the forest surrounding The Banff Centre in the Rocky Mountains, and has been adapted to the specific landscape of Victoria Park.
FuturePlay - Expressive Computer Vision #2 from FutureDeluxe on Vimeo.
The second in an ongoing series of exploratory procedural systems designed to artistically reinterpret external spatial & visual inputs.
Designed, directed & produced by FutureDeluxe.
Audio - FutureDeluxe.
Anima - iki from onformative on Vimeo.
More infos:
onformative.com/work/anima-ikiFluid shimmering patterns flow around a luminescent orb suspended in space as tones oscillate in the room. »ANIMA« is an entity that modifies sound and visuals as it reacts to and forages in its environment. This continuous exchange between viewer and sculpture unites them in a perpetual discourse through an interactive soundscape and visuals.
10 Columns, 2019 : Phillip K Smith III from Phillip K Smith III on Vimeo.
Bridge Projects is pleased to present 10 Columns, Phillip K. Smith III’s immersive light installation created specifically for its 7,000 square foot exhibition space located in Hollywood, CA.
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Opening reception:
October 12, 2019, 3pm-7pm.
Bridge Projects, Hollywood, CA
bridgeprojects.com
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Video:
lancegerberstudio.com
OFFSET from Arice on Vimeo.
This film created for OffsetDublin19 is a celebration of the creative - the creative mind and the place a creative inhabits
The scarecrow is a symbol of creativity - all at once setting itself apart yet having a reason to be there. All creatives experience fear - yet this is not a film about fear. It’s about the fear people have to express themselves.
It’s about being misunderstood. It’s about not quite fitting in. It’s about conflict, contradiction, challenge.You have to be different, yet the same, you have to be at the centre yet on the outside, you have to be macro and micro - yet creatives have the power, the capacity to imprint, observe, comment, shape, influence and inspire in so many ways.Credits
Studio
Windmill CreateDirector / CG Artist
AriceCG Artist & Motion Design
Chris McLoughlin
Manus GoanAudio
Number 4Music & Sound Design
Damian Molony
Simon BirdMusicians
Mathilde Bosquillon de Jenlis (violinist)
Gabrielė Dikčiūtė (cellist)
Rachael Lavelle (vocalist)
AS ABOVE from Roman Hill on Vimeo.
“As above, so below”
As Above is a short film exploring the tight link between the microscopic world and immensity of the universe.
Illustrating our universe’s never ending dance of destruction and creation, in which life can emerge…As Above was made of one single shot filmed on the 8mm2 (0.3 square inch) surface of a chemical reaction.
The environment in which we live, is at the constant mercy of the ever changing flow of planets, stars and galaxies… As well as the composition of the microscopic world.
“As Above” is an invitation to contemplate the beauty of this perpetual movement of which we are part of… And perhaps invite the viewer to reflect on his position in the universe and the preciosity of life.In the same ways, recent events have shown us that a microscopic virus could have a destructive
impact on humanity… A destructive impact counter weighted by a positive impact on our planets
global ecosystem.Credits
Created by Roman Hill
Music by Thomas Vanz
Co-produced by Nano-LabSpecial thanks to
Léa Morel
Paul Mignot
Naïs Zoppi
Nicolas Méliand
Marie Pascale Carruel
Jonathan Fitas
Charles Hill
Chip BaileySee more
Roman Hill
romanhill.fr
instagram.com/roman.hill/
roman.hill@hotmail.comThomas Vanz
thomasvanz.com
instagram.com/thomas_vanz/Don’t hesitate to reach me by mail to get access to the full press package
roman.hill@hotmail.com© Roman Hill 2020